<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-21441266</id><updated>2012-01-07T20:23:05.254+01:00</updated><title type='text'>Melancholia</title><subtitle type='html'>Transit Umbra, sed Lux permanet</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://anatomyof.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default?start-index=101&amp;max-results=100'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>421</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-21441266.post-3060794586504499881</id><published>2009-04-11T22:40:00.003+02:00</published><updated>2009-04-12T03:12:47.919+02:00</updated><title type='text'>Vivere è come amare: la ragione vi è contro, ma ogni sano istinto a favore.</title><summary type='text'> Porträt des Eduard Kosmack, Egon Shiele, 1910.La vie vaut-elle d'être vécue ? Pour la plupart des hommes, vivre se ramène à « faire les gestes que l'habitude commande ». Mais le suicide soulève la question fondamentale du sens de la vie : « Mourir volontairement suppose qu'on a reconnu, même instinctivement, le caractère dérisoire de cette habitude, l'abscence de toute raison profonde de vivre, </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/3060794586504499881'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/3060794586504499881'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2009/04/portrat-des-eduard-kosmack-egon-shiele.html' title='Vivere è come amare: la ragione vi è contro, ma ogni sano istinto a favore.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_AFbIbfBlCF4/SeE9-QIsMwI/AAAAAAAAFRs/-OcKdWer40U/s72-c/egon+shiele+eduard.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-4647901797056457412</id><published>2009-04-09T08:30:00.004+02:00</published><updated>2009-04-09T08:41:48.843+02:00</updated><title type='text'>Les passions sont les humeurs élémentaires de l'esprit.</title><summary type='text'>  Ecce Homo, Michelangelo Merisi detto il Caravaggio, 1606.Casida del herido por el aguaQuiero bajar al pozo,quiero subir los muros de Granada,para mirar el corazón pasadopor el punzón oscuro de las aguas.El niño herido gemíacon una corona de escarcha.Estanques, aljibes y fuenteslevantaban al aire sus espadas.¡Ay, qué furia de amor, qué hiriente filo,qué nocturno rumor, qué muerte blanca!¡Qué </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/4647901797056457412'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/4647901797056457412'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2009/04/les-passions-sont-les-humeurs.html' title='Les passions sont les humeurs élémentaires de l&apos;esprit.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_AFbIbfBlCF4/Sd2XzfuxmNI/AAAAAAAAFRk/UPGcdFZbVrg/s72-c/Ecce+Homo.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-7544711990156151830</id><published>2009-04-09T08:20:00.003+02:00</published><updated>2009-04-09T08:23:05.941+02:00</updated><title type='text'>La angustia es la disposición fundamental que nos coloca ante la nada.</title><summary type='text'>Baigneuses, Paul Cézanne, 1906.La angustia es un afecto, un sentimiento que se impone con sensaciones de ahogo, opresión, asfixia y sofoco, por lo tanto, se considera una de las emociones básicas de la estructura anímica del hombre. La angustia es un sentimiento que invade al sujeto y generalmente su causa permanece desconocida para el mismo. Es una señal de peligro, cuando la causa se conoce y </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7544711990156151830'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7544711990156151830'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2009/04/la-angustia-es-la-disposicion.html' title='La angustia es la disposición fundamental que nos coloca ante la nada.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_AFbIbfBlCF4/Sd2UELeaokI/AAAAAAAAFRc/aKyZSjf5KQ4/s72-c/Baigneuses.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-3635765808294661058</id><published>2009-04-09T08:07:00.004+02:00</published><updated>2009-04-09T08:14:47.867+02:00</updated><title type='text'>It is a melancholy truth that even great men have their poor relations.</title><summary type='text'>Nature-morte aux trois crânes, Paul Cézanne, 1900.Diagnostic consensus should reflect empirically derived data as well as experience. In the former effort, syndromes are identified as they seem to occur naturally among large groups of patients or in community samples. Rather than assigning each patient to a category predetermined by expert consensus, the sample’s inherent groupings are determined</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/3635765808294661058'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/3635765808294661058'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2009/04/it-is-melancholy-truth-that-even-great.html' title='It is a melancholy truth that even great men have their poor relations.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_AFbIbfBlCF4/Sd2SDr4jXFI/AAAAAAAAFRU/smxr02GoTZA/s72-c/Nature+morte+aux+trois+cranes.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-8370803637724227133</id><published>2009-04-09T07:52:00.004+02:00</published><updated>2009-04-09T08:07:09.593+02:00</updated><title type='text'>Serious illness doesn't bother me for long because I am too inhospitable a host.</title><summary type='text'>Les Joueurs de Cartes, Paul Cézanne, 1892. The concept of ‘‘depression’’ has been broadened by targeting tendencies to shyness, social anxiety, and moodiness to justify medication treatment. The rise in the number of approved antidepressant drugs parallels the increase in the variations of depression categories and in the numbers of persons diagnosed as depressed. In theearly 1960s two tricyclic </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/8370803637724227133'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/8370803637724227133'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2009/04/serious-illness-doesnt-bother-me-for.html' title='Serious illness doesn&apos;t bother me for long because I am too inhospitable a host.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_AFbIbfBlCF4/Sd2QB0pEwBI/AAAAAAAAFRM/G2-ylerYm2Q/s72-c/Paul+Cezanne.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-270683537866628292</id><published>2009-03-26T14:56:00.006+01:00</published><updated>2009-03-26T15:05:50.197+01:00</updated><title type='text'>La muerte es algo que no debemos temer porque, mientras somos, la muerte no es y cuando la muerte es, nosotros no somos.</title><summary type='text'> La tentación de San Antonio, Salvador Domingo Felipe Jacinto Dalí i Domènech, 1949. CruzLa cruz. (Punto final del camino) Se mira en la acequia. (Puntos suspensivos.)  Federico García Lorca, extracto del "poema del cante jondo", 1921</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/270683537866628292'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/270683537866628292'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2009/03/la-muerte-es-algo-que-no-debemos-temer.html' title='La muerte es algo que no debemos temer porque, mientras somos, la muerte no es y cuando la muerte es, nosotros no somos.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_AFbIbfBlCF4/ScuLKaljeYI/AAAAAAAAFP8/o9YrhvdvMcM/s72-c/Salvador-Dali-Tentation.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-1774733956714289016</id><published>2009-03-24T10:44:00.005+01:00</published><updated>2009-03-24T10:50:34.779+01:00</updated><title type='text'>L'espoir, au contraire de ce qu'on croit, équivaut à la résignation. Et vivre, c'est ne pas se résigner.</title><summary type='text'> Paul Verlaine, Gustave Courbet,1866.Poèmes Saturniens, Melancholia. Tout enfant, j'allais rêvant Ko-Hinnor,Somptuosité persane et papaleHéliogabale et Sardanapale !Mon désir créait sous des toits en or,Parmi les parfums, au son des musiques,Des harems sans fin, paradis physiques !Aujourd'hui, plus calme et non moins ardent,Mais sachant la vie et qu'il faut qu'on plie,J'ai dû refréner ma belle </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1774733956714289016'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1774733956714289016'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2009/03/lespoir-au-contraire-de-ce-quon-croit.html' title='L&apos;espoir, au contraire de ce qu&apos;on croit, équivaut à la résignation. Et vivre, c&apos;est ne pas se résigner.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_AFbIbfBlCF4/ScisA2EqzxI/AAAAAAAAFP0/9hVk0L-IHZc/s72-c/Paul+Verlaine.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-1691538226259088343</id><published>2009-03-24T10:17:00.003+01:00</published><updated>2009-03-24T10:31:22.196+01:00</updated><title type='text'>The trouble with the rat race is that even if you win, you're still a rat.</title><summary type='text'> Marguerite de Valois,  François Clouet, 1572.The Malcontent is a character type often used in early modern drama. The character is discontent with the social structure and other characters in the play. He or she is often an outsider, who observes and offers commentary on the action and may even show awareness that they are in a play. Shakespeare's Richard III and Iago in Othello are typical </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1691538226259088343'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1691538226259088343'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2009/03/trouble-with-rat-race-is-that-even-if.html' title='The trouble with the rat race is that even if you win, you&apos;re still a rat.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScinT_vLbaI/AAAAAAAAFPs/J_ezMVOHw8g/s72-c/Marguerite+de+Valois.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-1152089745563092018</id><published>2009-03-24T09:54:00.005+01:00</published><updated>2009-03-24T10:14:27.798+01:00</updated><title type='text'>Les illettrés, parce qu'ils ne peuvent voir la vérité à travers l'écriture, la contemplent à travers les contours d'une certaine image.</title><summary type='text'>Lucas Cranach der Ältere, Werwolf, 1512La lypémanie, du grec λυπη, « chagrin », avec μανία, « folie, délire » : tristesse maladive, est un néologisme proposé au début du XIXème siècle par Esquirol pour remplacer mélancolie, dont le sens s'était perdu en tombant dans le domaine extramédical. L'usage du terme en médecine n'a guère survécu à son inventeur.Lypémanie ne doit pas être confondue avec </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1152089745563092018'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1152089745563092018'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2009/03/les-illettres-parce-quils-ne-peuvent.html' title='Les illettrés, parce qu&apos;ils ne peuvent voir la vérité à travers l&apos;écriture, la contemplent à travers les contours d&apos;une certaine image.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_AFbIbfBlCF4/ScijNzcIujI/AAAAAAAAFPk/_GbgUJjg8XM/s72-c/Werwolf.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-1797356698031670255</id><published>2009-02-07T16:08:00.003+01:00</published><updated>2009-02-07T16:24:57.579+01:00</updated><title type='text'>Damit der Mensch vor sich Achtung haben kann, muss er fähig sein, auch böse zu sein.</title><summary type='text'>Ivan Aivazovski, Port d'Odessa sur la mer Noire, 1852.The image of depressive illness dramatically changed between 1960 and 1980. Instead of ‘‘depressive reactions’’ and ‘‘manic-depressive illness’’ the disorders in mood were divided by their association with mania or hypomania into bipolar (with) and unipolar (without) categories. The authors of the recent classification took the theoretical </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1797356698031670255'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1797356698031670255'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2009/02/image-of-depressive-illness.html' title='Damit der Mensch vor sich Achtung haben kann, muss er fähig sein, auch böse zu sein.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_AFbIbfBlCF4/SY2newJmY2I/AAAAAAAAFGw/4wRAoIgOc4M/s72-c/783px-Aivasovsky_Ivan_Constantinovich_The_Harbor_At_Odessa_On_The_Black_Sea.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-8456853510536235510</id><published>2009-01-17T22:20:00.004+01:00</published><updated>2009-01-17T22:28:18.120+01:00</updated><title type='text'>Das Absurde am Leben macht es erst erträglich.</title><summary type='text'>Le jour des morts, Adolphe William Bouguereau, 1859.The descriptions of melancholia over millennia by medical authorities, writers, and public figures have face validity. The recognition led to the inclusion of ‘‘melancholia’’ in some form in all psychiatric classification systems. This heritage regards melancholia as a disorder in mood accompanied by perturbations in circadian and ultradian </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/8456853510536235510'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/8456853510536235510'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2009/01/das-absurde-am-leben-macht-es-erst.html' title='Das Absurde am Leben macht es erst erträglich.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_AFbIbfBlCF4/SXJNHnFSRdI/AAAAAAAAE_U/1327CYhBljU/s72-c/Le+jour+des+morts.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-7642495216822095974</id><published>2009-01-06T14:50:00.004+01:00</published><updated>2009-01-06T14:56:23.630+01:00</updated><title type='text'>A lembrança da dor ainda é a dor, a lembrança da felicidade já o deixou de ser.</title><summary type='text'>La Douleur, Jacques Louis David, 1770. En la forest de Longue Attente En la forest de Longue Attente Mon povre cuer tant se garmente D'en saillir par aucune voye Qu'il ne lui semble pas qu'il voye Jamais la fin de son entente.Desconfort le tient en sa tente Qui par telle façon le tente Que j'ay paour qu'il ne se forvoye En la forest de Longue Attente.Espoir en riens ne le contente Comme il </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7642495216822095974'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7642495216822095974'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2009/01/lembrana-da-dor-ainda-dor-lembrana-da.html' title='A lembrança da dor ainda é a dor, a lembrança da felicidade já o deixou de ser.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_AFbIbfBlCF4/SWNiUcLiIYI/AAAAAAAAE7M/zPBbVgJImwg/s72-c/Jacques-Louis+David-_Sorrow.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-6944200908332354365</id><published>2009-01-06T14:36:00.005+01:00</published><updated>2009-01-06T14:49:22.797+01:00</updated><title type='text'>Le monde est un chaos, et son désordre excède tout ce qu'on y voudrait apporter de remède.</title><summary type='text'>Der Kuß, Gustav Klimt, 1907.Melancholia defined by a specific eventClinicians often ascribe etiologic significance to a special event preceding an episode of mood disorder, but the causal association is not established and the depressive illnesses that occur under such circumstances do not diVer from classical melancholia.Descriptions of postpartum melancholia, vascular or late-life depression, </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/6944200908332354365'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/6944200908332354365'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2009/01/le-monde-est-un-chaos-et-son-dsordre.html' title='Le monde est un chaos, et son désordre excède tout ce qu&apos;on y voudrait apporter de remède.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_AFbIbfBlCF4/SWNg8Yd3wdI/AAAAAAAAE7E/k7jM5vekEXc/s72-c/Gustav_Klimt_016+der+Kus.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-3278872459275696006</id><published>2008-10-02T09:47:00.004+02:00</published><updated>2008-10-02T10:01:51.600+02:00</updated><title type='text'>The melancholia of everything completed!</title><summary type='text'>Allee im Park von Schloss Kammer, Gustav Klimt, 1912Psychotic depression meets criteria for melancholiaThe manifestations of depressed mood, family history and course of illness, laboratory test findings, and response to treatments are indistinguishable for those with and those without evidence of psychosis. Clinical vignettes are consistent with the view that psychotic depression is a severe </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/3278872459275696006'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/3278872459275696006'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/10/melancholia-of-everything-completed.html' title='The melancholia of everything completed!'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_AFbIbfBlCF4/SOR_pciu6MI/AAAAAAAADok/3DnZm4UuivE/s72-c/Gustav_Klimt.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-6724137626445953748</id><published>2008-10-02T09:27:00.007+02:00</published><updated>2008-10-02T09:44:18.680+02:00</updated><title type='text'>Was reif in diesen Zeilen steht, was lächelnd winkt und sinnend fleht, das soll kein Kind betrüben; die Einfalt hat es ausgesät, die Schwermut hat ...</title><summary type='text'>...hindurchgeweht, die Sehnsucht hat's getrieben. Selbstporträt mit Skelett, Lovis Corinth, 1896.Die Wahrheit und die KunstUm zu verstehen, wie es möglich ist, daß in der Kunst Wahrheit geschieht und schöpferisch Neues hervorgebracht wird, muß die Kunst als sie selbst verstanden werden. Zu ihrem Verständnis dürfen also keine metaphysischen Erklärungen herangezogen werden, die selbst schon eine </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/6724137626445953748'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/6724137626445953748'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/10/was-reif-in-diesen-zeilen-steht-was.html' title='Was reif in diesen Zeilen steht, was lächelnd winkt und sinnend fleht, das soll kein Kind betrüben; die Einfalt hat es ausgesät, die Schwermut hat ...'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_AFbIbfBlCF4/SOR59iASytI/AAAAAAAADoc/EMZs7z_Zuo4/s72-c/791px-Lovis_Corinth_010.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-4246188049105890540</id><published>2008-09-26T17:13:00.004+02:00</published><updated>2008-09-26T17:24:56.573+02:00</updated><title type='text'>I like these cold, gray winter days. Days like these let you savor a bad mood.</title><summary type='text'>Snow storm, Hannibal and his army crossing the Alps, Joseph Mallord William Turner, 1812.Mood-congruent and mood-incongruent delusions In the 1980 DSM classification attention was directed to mood congruence of psychotic thoughts. If the patient’s delusional content was deemed depressive (e.g., low selfworth, guilt), the delusion was defined as congruent with the mood state and the patient was </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/4246188049105890540'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/4246188049105890540'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/09/i-like-these-cold-gray-winter-days-days.html' title='I like these cold, gray winter days. Days like these let you savor a bad mood.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_AFbIbfBlCF4/SNz-TdBAa2I/AAAAAAAADgY/IZnXtBLAyaY/s72-c/800px-Joseph_Mallord_William_Turner_081.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-4895471353854936842</id><published>2008-09-26T09:26:00.004+02:00</published><updated>2008-09-26T09:38:13.258+02:00</updated><title type='text'>Faith is the art of holding on to things your reason has once accepted in spite of your changing moods</title><summary type='text'>The Slave Ship, Joseph Mallord William Turner, 1840.The underlying principle of medieval medicine was the theory of humours. This was derived from the ancient medical works, and dominated all western medicine up until the 19th century. The theory stated that within every individual there were four humours, or principal fluids - black bile, yellow bile, phlegm, and blood, these were produced by </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/4895471353854936842'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/4895471353854936842'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/09/faith-is-art-of-holding-on-to-things.html' title='Faith is the art of holding on to things your reason has once accepted in spite of your changing moods'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_AFbIbfBlCF4/SNyQ4AuVH5I/AAAAAAAADgQ/o7BaA4KVq4w/s72-c/800px-Slave-ship.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-7564510290473206965</id><published>2008-09-02T01:50:00.009+02:00</published><updated>2008-09-02T02:04:19.930+02:00</updated><title type='text'>L'oeil. En lui, il y a l'âme, il y a l'homme qui pense, l'homme qui aime, l'homme qui rit, l'homme qui souffre !</title><summary type='text'> Der Sturz des Ikarus, Pieter Brueghel dem Älteren, 1558.Comme le fait remarquer le pasteur suisse Jean Rilliet : « Lorsqu'on voit l'ascendant que l'«admirable secret» exerça, soit sur Luther, soit sur Zwingli et Bucer, avant de fasciner Calvin, il ne faut pas oublier trois faits. Tout d'abord, que les Réformateurs rencontrèrent la prédestination chez Augustin, celui des auteurs anciens qui les </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7564510290473206965'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7564510290473206965'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/09/comme-le-fait-remarquer-le-pasteur.html' title='L&apos;oeil. En lui, il y a l&apos;âme, il y a l&apos;homme qui pense, l&apos;homme qui aime, l&apos;homme qui rit, l&apos;homme qui souffre !'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_AFbIbfBlCF4/SLyCC_aUBZI/AAAAAAAAB0U/tU--vt8R1Nc/s72-c/800px-Pieter_Brueghel_de_Oude_-_De_val_van_Icarus.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-1549768970645605285</id><published>2008-09-02T01:50:00.005+02:00</published><updated>2008-09-02T01:59:47.033+02:00</updated><title type='text'>Vivre faux ne prédestine pas à écrire juste.</title><summary type='text'>Turmbau zu Babel , Pieter Brueghel dem Älteren, 1563.Si la prolixité de Calvin sur la prédestination visait avant tout à combattre les réserves plus ou moins vives des autres théologiens réformés, comme Sébastien Castellion, elle permit également aux thèses du Réformateur de gagner un grand nombre d'adeptes à l'étranger, notamment aux Provinces-Unies (actuels Pays-Bas) et en Angleterre. De façon </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1549768970645605285'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1549768970645605285'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/09/vivre-faux-ne-prdestine-pas-crire-juste.html' title='Vivre faux ne prédestine pas à écrire juste.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_AFbIbfBlCF4/SLyBrTGBI5I/AAAAAAAAB0M/piL5JDpbRzQ/s72-c/795px-Brueghel-tower-of-babel.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-7321657906926748038</id><published>2008-08-30T17:02:00.002+02:00</published><updated>2008-08-30T17:09:38.852+02:00</updated><title type='text'>Le destin c'est simplement la forme accélérée du temps.</title><summary type='text'>Der Mönch am Meer, Caspar David Friedrich, 1809. Souvent perçu comme un fondateur de secte froid et intolérant, Jean Calvin, demeure, malgré la quantité et la qualité des ouvrages qui lui sont consacrés, l'une des figures les plus mal connues et les plus mal jugées de l'histoire du christianisme. Il faut dire aussi que Calvin n'a lui-même pas facilité la tâche de ses historiographes en évitant </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7321657906926748038'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7321657906926748038'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/08/le-destin-cest-simplement-la-forme.html' title='Le destin c&apos;est simplement la forme accélérée du temps.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_AFbIbfBlCF4/SLlidXXBfYI/AAAAAAAABxA/s5lTlevnXPY/s72-c/800px-Caspar_David_Friedrich_029.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-4541863103706590100</id><published>2008-08-16T17:17:00.005+02:00</published><updated>2008-08-16T18:27:39.963+02:00</updated><title type='text'>La Raison c'est la folie du plus fort. La raison du moins fort c'est de la folie.</title><summary type='text'>Francisco de Goya y Lucientes , Perro Semihundido. Psychotic depression is melancholia Approximately one-third of melancholic patients are psychotic. Psychotic features in melancholia are reported at all ages, although the recognition of psychotic depression increases with the patient’s age. In some reviews nearly all patients with psychotic depression are melancholic.In nineteenth-century </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/4541863103706590100'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/4541863103706590100'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/08/la-raison-cest-la-folie-du-plus-fort-la.html' title='La Raison c&apos;est la folie du plus fort. La raison du moins fort c&apos;est de la folie.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_AFbIbfBlCF4/SKb_dGTYsEI/AAAAAAAABj0/iBi9gqzGiQM/s72-c/338px-Goya_Dog.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-5610528103252776337</id><published>2008-08-16T15:31:00.004+02:00</published><updated>2008-08-16T18:28:00.233+02:00</updated><title type='text'>La diferencia entre literatura y periodismo es que el periodismo es ilegible y la literatura no es leída</title><summary type='text'>Francisco de Goya y Lucientes, El Aquelarre, 1797.The scientific evidence fails to distinguish unipolar and bipolar depressive disorders. About 10% of melancholic patients exhibit manic features. The overlap is clearly expressed in the many descriptions of ‘‘mixed’’ and ‘‘spectrum’’ depressive and manic conditions. Patients may exhibit depressive and manic features during the same episode or </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/5610528103252776337'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/5610528103252776337'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/08/scientific-evidence-fails-to.html' title='La diferencia entre literatura y periodismo es que el periodismo es ilegible y la literatura no es leída'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_AFbIbfBlCF4/SKbs4LhXLYI/AAAAAAAABjc/lJu6jzXFUAs/s72-c/411px-El_Aquelarre_%25281797-1798%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-4411574238111658178</id><published>2008-08-03T18:54:00.002+02:00</published><updated>2008-08-16T17:15:38.153+02:00</updated><title type='text'>Algunas personas enfocan su vida de modo que vivan con entremeses y guarniciones. El plato principal nunca lo conocen.</title><summary type='text'>Francisco de Goya y Lucientes, El tres de Mayo de 1808, 1814.Bipolar and unipolar conditions genetically overlapAfter the original studies by Leonhard and by Perris reported that familial diVerences between recurrent depressive illness and manic-depressive illness, subsequent family and genetic studies commonly reported an overlap between the two forms of mood disorder, supporting a unitary </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/4411574238111658178'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/4411574238111658178'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/08/bipolar-and-unipolar-conditions.html' title='Algunas personas enfocan su vida de modo que vivan con entremeses y guarniciones. El plato principal nunca lo conocen.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_AFbIbfBlCF4/SKbuHwfedkI/AAAAAAAABjk/59DAVyEnBdY/s72-c/782px-Francisco_de_Goya_y_Lucientes_023.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-4304577059848672888</id><published>2008-08-03T18:51:00.002+02:00</published><updated>2008-08-03T18:54:55.532+02:00</updated><title type='text'>L'unico senso intimo delle cose è che esse non hanno alcun senso intimo.</title><summary type='text'>Distruzione del secondo membro.§.XIII. A distruzione del secondo membro della successiva principale conseguenza dico, essere pure impossibile che l'acqua sia gibbosa; lo che dimostro così: Sia il cielo dove sono quattro croci, l'acqua dove tre, la terra dove due; ed il centro della terra e dell'acqua concentrica e del cielo sia D. E ritengasi, che l'acqua non può esser concentrica colla terra, se</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/4304577059848672888'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/4304577059848672888'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/08/lunico-senso-intimo-delle-cose-che-esse.html' title='L&apos;unico senso intimo delle cose è che esse non hanno alcun senso intimo.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_AFbIbfBlCF4/SJXibGxBxZI/AAAAAAAABXw/dG8GkRnzwxw/s72-c/Questio2.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-1905606063868083031</id><published>2008-07-29T21:50:00.002+02:00</published><updated>2008-07-29T21:55:52.570+02:00</updated><title type='text'>Confía en el tiempo, que suele dar dulces salidas a muchas amargas dificultades.</title><summary type='text'>Prima e seconda supposizione.§.XI. Ad evidenza dunque delle cose da dirsi, due sono le supposizioni da farsi: la prima si è, che l'acqua naturalmente si muove allo ingiù; la seconda, che l'acqua è un corpo labile naturalmente, e non terminabile per termine suo proprio. E se alcuno negasse questi due principii, o l'uno di essi, la determinazione non sarebbe per lui, poichè contra uno che nega i </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1905606063868083031'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1905606063868083031'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/07/confa-en-el-tiempo-que-suele-dar-dulces.html' title='Confía en el tiempo, que suele dar dulces salidas a muchas amargas dificultades.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_AFbIbfBlCF4/SI91NE8jZPI/AAAAAAAABRw/u7pOM6CA7yE/s72-c/Questio1.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-8324599046423353504</id><published>2008-07-23T20:05:00.002+02:00</published><updated>2008-07-23T20:08:32.697+02:00</updated><title type='text'>Le teorie generali e il nulla sono press'a poco la stessa cosa.</title><summary type='text'>Thomas Cole, The Departure, 1837.Quinta Ragione.§.VII. Parimenti disputavasi in quinto luogo: L'acqua sembra seguire principalmente il moto della Luna, siccome appare nel flusso e riflusso del mare; quindi essendo eccentrico l'orbe lunare, sembra ragionevole che l'acqua nella sua sfera imiti l'eccentricità di quello, e per conseguenza sia eccentrica: e siccome questo non può essere, se non è più </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/8324599046423353504'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/8324599046423353504'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/07/le-teorie-generali-e-il-nulla-sono.html' title='Le teorie generali e il nulla sono press&apos;a poco la stessa cosa.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_AFbIbfBlCF4/SIdze3Q2YQI/AAAAAAAABKo/v3o0O-TvcUE/s72-c/cole_departure.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-6976965482993846171</id><published>2008-07-23T19:58:00.004+02:00</published><updated>2008-07-23T20:04:46.629+02:00</updated><title type='text'>Chi in un'arte è diventato maestro, può senza danno scordarsi le regole.</title><summary type='text'>Thomas Cole, Falls of Kaaterskill, 1826.Seconda Ragione. §.IV. A più nobile corpo è dovuto più nobile luogo: l'acqua è corpo più nobile della terra; dunque devesi all'acqua luogo più nobile. Ed essendo tanto più nobile il luogo, quanto è superiore pel suo approssimarsi di più al nobilissimo de' continenti, ch'è il primo cielo; dunque ecc. Tralascio, che il luogo dell'acqua sia più alto di quello </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/6976965482993846171'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/6976965482993846171'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/07/chi-in-unarte-diventato-maestro-pu.html' title='Chi in un&apos;arte è diventato maestro, può senza danno scordarsi le regole.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_AFbIbfBlCF4/SIdyT4eJJUI/AAAAAAAABKg/QfnV4_ozUyw/s72-c/cole_kaaterskill.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-904559017154143168</id><published>2008-07-16T16:12:00.002+02:00</published><updated>2008-07-16T16:20:53.938+02:00</updated><title type='text'>Il voto nasce quando la speranza more</title><summary type='text'>Luca d'Egidio di Ventura, Affresco Apocalissi, 1499 - Duomo di Orvieto A tutti ed a ciascuno in particolare, che questo scritto vedranno, Dante Allighieri, il minimo fra' veri filosofi, augura salute in Colui, ch'è principio e lume della verità.§.I. Sia manifesto a voi tutti, come, essendo io in Mantova, insorse una certa quistione, la quale amplificata assai volte, rimanevasi più in apparenza, </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/904559017154143168'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/904559017154143168'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/07/il-voto-nasce-quando-la-speranza-more.html' title='Il voto nasce quando la speranza more'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_AFbIbfBlCF4/SH4B7ALpOdI/AAAAAAAABAk/m7sCrI-wOhs/s72-c/800px-Fra_angelico_luca_signorelli_orvieto.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-7924238935277686730</id><published>2008-07-10T07:48:00.003+02:00</published><updated>2008-07-10T08:00:05.279+02:00</updated><title type='text'>Me apresuro a reirme de todo, ante el miedo de ser obligado a llorar por ello.</title><summary type='text'>Δομήνικος Θεοτοκόπουλος , Sagrada Familia con Santa Ana, 1590.The induction of mania by antidepressant treatments is often cited as support for a mood disorder dichotomy. When tricyclic antidepressants (TCAs) and monoamine oxidase inhibitors (MAOIs) were introduced, concepts of unipolar and bipolar depression were not in use, so that the treatment was oVered to all patients who met criteria for a</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7924238935277686730'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7924238935277686730'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/07/me-apresuro-reirme-de-todo-ante-el.html' title='Me apresuro a reirme de todo, ante el miedo de ser obligado a llorar por ello.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_AFbIbfBlCF4/SHWktoeYD8I/AAAAAAAAA10/3uRNKI5zTMA/s72-c/497px-Sagrada_Familia_con_santa_Ana_Tavera.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-2503228578221494500</id><published>2008-07-10T07:37:00.005+02:00</published><updated>2008-07-10T07:47:53.860+02:00</updated><title type='text'>Chaos, panic and disorder- my work here is done.</title><summary type='text'> Δομήνικος Θεοτοκόπουλος , La visión del Apocalipsis, 1614.In yet another study seeking to reinforce the image of a bipolar mixed state to encompass psychotic agitated depression, 336 outpatients with major depressive episodes without a history of mania were identified. Based on evidence of hypomania, 206 were assigned to bipolar II and 130 to major depressive disorder.The investigators found </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/2503228578221494500'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/2503228578221494500'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/07/chaos-panic-and-disorder-my-work-here.html' title='Chaos, panic and disorder- my work here is done.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_AFbIbfBlCF4/SHWiGedOuFI/AAAAAAAAA1s/2L2FOyVij_Q/s72-c/539px-2205grec.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-5826216929411941235</id><published>2008-07-07T19:11:00.004+02:00</published><updated>2008-07-07T19:18:43.701+02:00</updated><title type='text'>L'art de vivre consiste à sacrifier une passion basse à une passion plus haute.</title><summary type='text'>Der Wanderer über dem Nebelmeer , Caspar David Friedrich, wohl 1817.Olhos de rubros fogos, infernais,Olhos que se enfeitiçam, feiticeiros,Olhos que por instantes flamejais,Olhos fortes, ferventes, fervilheiros...Olhos de verde mar, mananciais,Olhos que se deságuam, aguadeiros,Olhos que por instantes marejais,Olhos meigos, marinhos, marinheiros...Olhos de magnetismos pessoais,Olhos de paixões </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/5826216929411941235'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/5826216929411941235'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/07/lart-de-vivre-consiste-sacrifier-une.html' title='L&apos;art de vivre consiste à sacrifier une passion basse à une passion plus haute.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_AFbIbfBlCF4/SHJPfm8943I/AAAAAAAAAvw/foG0LnIA9lQ/s72-c/471px-Caspar_David_Friedrich_032.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-7841366921301745506</id><published>2008-07-04T09:51:00.004+02:00</published><updated>2008-07-04T10:02:34.458+02:00</updated><title type='text'>Falling ill is not something that happens to us, it is a choice we make as a result of things happening to us</title><summary type='text'>Иван Константинович Айвазовский, кораблекрушение, 1876. A prospective longitudinal study of 86 patients with the bipolar II designation reexamined patients at 6- and 12-month intervals over a mean course of 13.4 years. The patients were symptomatic in 53.9% of all follow-up weeks. Depressive symptoms occurred in 50.3% of the weeks and dominated over hypomanic symptoms (1.3% of weeks) and over </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7841366921301745506'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7841366921301745506'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/07/falling-ill-is-not-something-that.html' title='Falling ill is not something that happens to us, it is a choice we make as a result of things happening to us'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_AFbIbfBlCF4/SG3YLAAm0NI/AAAAAAAAAtw/vGq4Ohm2IZw/s72-c/Aivasovsky_Ivan_Constantinovich_crash_1876_IBI.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-3058447021090313449</id><published>2008-06-28T17:09:00.003+02:00</published><updated>2008-06-29T06:46:29.523+02:00</updated><title type='text'>On peut décréter et ressentir sa mort, sans attenter à sa vie. La mort est un état d'âme.</title><summary type='text'>Ivan Aivazovski, Storm, 1854.CrépusculeL'étang mystérieux, suaire aux blanches moires,Frisonne; au fond du bois la clairière apparaît ;Les arbres sont profonds et les branches sont noires ;Avez-vous vu Vénus à travers la forêt ?Avez-vous vu Vénus au sommet des collines ?Vous qui passez dans l'ombre, êtes-vous des amants ?Les sentiers bruns sont pleins de blanches mousselines;L'herbe s'éveille et </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/3058447021090313449'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/3058447021090313449'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/06/crpuscule-ltang-mystrieux-suaire-aux.html' title='On peut décréter et ressentir sa mort, sans attenter à sa vie. La mort est un état d&apos;âme.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_AFbIbfBlCF4/SGcTWgpdtNI/AAAAAAAAAnw/jNEXsi7SWNk/s72-c/Storm.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-5536941777451545790</id><published>2008-06-28T16:48:00.003+02:00</published><updated>2008-06-29T06:42:44.378+02:00</updated><title type='text'>La eternidad es una de las raras virtudes de la literatura.</title><summary type='text'>Raffaello Sanzio, Le Tre Grazie, 1505.Despite the heterogeneity in both the bipolar and unipolar groups, the breadth of reported ipolar–unipolar diVerences is impressive. They include four separate spheres of data-enetic,clinical, biological and pharmacological. Bipolar and recurrent unipolar disorders,nevertheless, appear to be very similar in some important respects (e.g., prophylactic response</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/5536941777451545790'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/5536941777451545790'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/06/despite-heterogeneity-in-both-bipolar.html' title='La eternidad es una de las raras virtudes de la literatura.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_AFbIbfBlCF4/SGcSiUpogbI/AAAAAAAAAno/NXey39OxhpE/s72-c/Raffael+le+tre+gracie.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-4082603423200580032</id><published>2008-06-25T07:58:00.009+02:00</published><updated>2008-06-25T08:17:52.373+02:00</updated><title type='text'>An ounce of blood is worth more than a pound of friendship.</title><summary type='text'>Marcantonio Bassetti, Adorazione dei pastori, 1615.In psychiatric classifications today, mood disorders are divided along the faultline of the presence or absence of manic or hypomanic periods in the patient’s personal history. The 1980 Diagnostic and Statistical Manual (DSM) classification recognized a disorder of depressed mood as a major depression. The presence of mania or hypomania, either </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/4082603423200580032'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/4082603423200580032'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/06/ounce-of-blood-is-worth-more-than-pound.html' title='An ounce of blood is worth more than a pound of friendship.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_AFbIbfBlCF4/SGHiRLBn83I/AAAAAAAAAjg/GRkPwjddZts/s72-c/picture.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-1827095959926668728</id><published>2008-06-23T15:59:00.003+02:00</published><updated>2008-06-23T16:06:42.297+02:00</updated><title type='text'>Insomnie : maladie des époques au cours desquelles on ordonne aux hommes de fermer les yeux.</title><summary type='text'>Joseph Wright, The Alchemist in Search of the Philosopher's Stone, 1771.The recent literature has equally compelling descriptions. In a memoir of his illness, the novelist William Styron oVers a poignant description of melancholia. After depending on alcohol ‘‘as a conduit to fantasy and euphoria, and to the enhancement of the imagination’’ for more than 40 years, he was suddenly unable to drink </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1827095959926668728'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1827095959926668728'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/06/insomnie-maladie-des-poques-au-cours.html' title='Insomnie : maladie des époques au cours desquelles on ordonne aux hommes de fermer les yeux.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_AFbIbfBlCF4/SF-tsUnNGOI/AAAAAAAAAg0/1NDcjrQj74Y/s72-c/JosephWright-Alchemist.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-7573574726430487519</id><published>2008-06-21T14:38:00.003+02:00</published><updated>2008-06-21T14:48:36.843+02:00</updated><title type='text'>Those who danced were thought to be quite insane by those who could not hear the music.</title><summary type='text'>Die Anatomie des Dr. Tulp, Rembrandt van Rijn, 1632Porphyria's LoverThe rain set early in tonight,The sullen wind was soon awake,It tore the elm-tops down for spite,and did its worst to vex the lake:I listened with heart fit to break.When glided in Porphyria; straightShe shut the cold out and the storm,And kneeled and made the cheerless grateBlaze up, and all the cottage warm;Which done, she rose</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7573574726430487519'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7573574726430487519'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/06/rain-set-early-in-tonight-sullen-wind.html' title='Those who danced were thought to be quite insane by those who could not hear the music.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_AFbIbfBlCF4/SFz4ejEmC1I/AAAAAAAAAgg/R0hLazGtQhg/s72-c/800px-Rembrandt_Harmensz__van_Rijn_007.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-1827629104244522264</id><published>2008-06-20T21:40:00.002+02:00</published><updated>2008-06-20T21:46:14.082+02:00</updated><title type='text'>Il genio è la punta estrema del senso pratico.</title><summary type='text'>  A Favourite Custom, Lawrence Alma-Tadema, 1909. The validity of the DSM depression criteria has been questioned. In an examination of comorbidity in twins and the occurrence of future episodes to validate externally the DSM depression criteria, the number of symptoms (the hallmark of the criteria), their duration, and resulting impairment did not predict the presence of depressive illness in a </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1827629104244522264'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1827629104244522264'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/06/il-genio-la-punta-estrema-del-senso.html' title='Il genio è la punta estrema del senso pratico.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_AFbIbfBlCF4/SFwH0yttXTI/AAAAAAAAAgI/Hp6cNZHPqy0/s72-c/Alma-Tadema_A_Favourite_Custom_1909_Tate_Britain.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-8570571750157831142</id><published>2008-06-19T19:02:00.001+02:00</published><updated>2008-06-19T19:05:14.979+02:00</updated><title type='text'>There is a luxury in self-dispraise, and inward self-disparagement affords, to meditative spleen a grateful feast.</title><summary type='text'>Melancholia syndromes as commonly labeled in present classifications :Manic-depressive illnessMelancholic ‘‘major’’ depression (unipolar depression)Manic-depressive depression (bipolar depression)Psychotic depressionCatatonic and stuporous depressionPuerperal depressionAbnormal bereavement</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/8570571750157831142'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/8570571750157831142'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/06/there-is-luxury-in-self-dispraise-and.html' title='There is a luxury in self-dispraise, and inward self-disparagement affords, to meditative spleen a grateful feast.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-2257274515726716768</id><published>2008-06-19T18:51:00.004+02:00</published><updated>2008-06-19T19:01:44.814+02:00</updated><title type='text'>To reflect is to disturb one's thoughts.</title><summary type='text'>John William Waterhouse, Gather ye rosebuds while ye may, 1909. Pathological mood is expressed as pervasive and unremitting apprehension and gloom that colors all cognitive processes, resulting in a loss of interest, decreased concentration, poor memory, slowed thinking, feelings of failure and low self-worth, and thoughts of suicide. Regardless of antecedent events, whether a personal loss or a </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/2257274515726716768'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/2257274515726716768'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/06/to-reflect-is-to-disturb-ones-thoughts.html' title='To reflect is to disturb one&apos;s thoughts.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_AFbIbfBlCF4/SFqQtNn4IsI/AAAAAAAAAcs/Cdwc05YPghY/s72-c/Waterhouse-gather_ye_rosebuds-1909.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-9179645438438160734</id><published>2008-06-16T15:39:00.004+02:00</published><updated>2008-06-16T15:49:24.600+02:00</updated><title type='text'>Quelle obscure folie d'avoir laissé mourir ce que m'offrait la vie.</title><summary type='text'>Giovanni Bellini, Pietà, 1505.Melancholia (n.) - c.1303, ‘‘condition characterized by sullenness, gloom, irritability,’’ from O.Fr. melancholie, from L. L. melancholia, from Gk. melankholia ‘‘sadness,’’ lit. ‘‘black bile,’’ from melas (gen. melanos) ‘‘black’’ (see melanin) þ khole ‘‘bile.’’ Medieval physiology attributed depression to excess of ‘‘black bile,’’ a secretion of the spleen and one of</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/9179645438438160734'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/9179645438438160734'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/06/quelle-obscure-folie-davoir-laiss.html' title='Quelle obscure folie d&apos;avoir laissé mourir ce que m&apos;offrait la vie.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_AFbIbfBlCF4/SFZvBRXlcrI/AAAAAAAAAa0/EJdLHmh-xe4/s72-c/image004.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-7151791774723791367</id><published>2008-06-11T19:55:00.003+02:00</published><updated>2008-06-11T20:03:44.872+02:00</updated><title type='text'>Si le paradis est un avant-goût d'éternité dans l'instant présent, alors l'enfer est une éternité de chagrin dans l'instant présent.</title><summary type='text'>Pierre-Narcisse Guérin, Aurore enlevant Céphale, 1813. Instead of looking to an unsure future classification based on models and studies yet to be reported, there is merit in a simplified classification of the mood disorders based on the classical principles of clinically defined signs and symptoms and course of illness, as oVered by nineteenth-century psychopathologists. The psychodynamic and </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7151791774723791367'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7151791774723791367'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/06/si-le-paradis-est-un-avant-got-dternit.html' title='Si le paradis est un avant-goût d&apos;éternité dans l&apos;instant présent, alors l&apos;enfer est une éternité de chagrin dans l&apos;instant présent.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_AFbIbfBlCF4/SFATBf8AmlI/AAAAAAAAAVU/KtZKTp98CSg/s72-c/Gu%25C3%25A9rin-amouretomphale.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-8406340669094405322</id><published>2008-06-09T22:05:00.003+02:00</published><updated>2008-06-09T22:30:24.546+02:00</updated><title type='text'>Añorar el pasado es correr tras el viento.</title><summary type='text'>Joan Miró, El puerto, 1945.Lo meo servente coreLo meo servente corevi raccomandi Amor, che vi l'ha dato,e Merzé d'altro latodi me vi rechi alcuna rimembranza;ché, del vostro valoreavanti ch'io mi sia guari allungato,mi tien già confortatodi ritornar la mia dolce speranza.Deo, quanto fie poca addimoranza,secondo il mio parvente:ché mi volge soventela mente per mirar vostra sembianza;per che ne lo </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/8406340669094405322'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/8406340669094405322'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/06/lo-meo-servente-core-lo-meo-servente.html' title='Añorar el pasado es correr tras el viento.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_AFbIbfBlCF4/SE2PWbbZpnI/AAAAAAAAATI/3AoVmmGyY6I/s72-c/JoanMiro.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-3847779376250454048</id><published>2008-06-09T21:55:00.004+02:00</published><updated>2008-06-09T22:02:12.653+02:00</updated><title type='text'>La vie est une tragédie pour celui qui sent et une comédie pour celui qui pense.</title><summary type='text'>Dante Gabriel Rossetti, The day dream, 1872.Bipolar disorder was distinguished as a separate class by the occurrence of excitement, distractibility, agitation, and talkativeness in the patient’s life history. Parallel to the subtyping in the DSM category of major depression, the bipolar disorders weredivided into bipolar I with a single manic episode (with more recent episode mixedor depressed or</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/3847779376250454048'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/3847779376250454048'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/06/la-vie-est-une-tragdie-pour-celui-qui.html' title='La vie est une tragédie pour celui qui sent et une comédie pour celui qui pense.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_AFbIbfBlCF4/SE2LpJ-EQdI/AAAAAAAAATA/u27Li1ljtDA/s72-c/Dante_Gabriel_Rossetti_003.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-4545822869507347992</id><published>2008-06-06T14:40:00.004+02:00</published><updated>2008-06-09T22:02:33.685+02:00</updated><title type='text'>L'émotion nous égare : c'est son principal mérite.</title><summary type='text'>Dante Gabriel Rossetti, The Holy Grail, 1860.By the late 1960s it was no longer acceptable to treat all depressed patients as if they were suVering from a single condition because some treatments were eVective for some patients and not for others. One group, for example, examined 33 studies that had assessed medication treatments of depression and could not find a diagnostic formulation that had </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/4545822869507347992'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/4545822869507347992'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/06/by-late-1960s-it-was-no-longer.html' title='L&apos;émotion nous égare : c&apos;est son principal mérite.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_AFbIbfBlCF4/SE2J27P-8zI/AAAAAAAAAS4/BzrMc9HEnFI/s72-c/Holygrail.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-7820860369061388898</id><published>2008-06-01T07:33:00.003+02:00</published><updated>2008-06-01T07:39:36.790+02:00</updated><title type='text'>Laissons les jolies femmes aux hommes sans imagination !</title><summary type='text'>Salvador Felipe Jacinto Dalí Domènech, Buste de Voltaire, 1940."No soy yo quien grita"¡Cuidado! ¡Cuidado! ¡El diablo ha enloquecido!Escóndete en el fondo limpio de los manantiales,fúndete al cristal de la ventana,ocúltate tras los fuegos de los diamantes,bajo las piedras, entre los insectos,escóndete en el pan recién salido del horno.Oh, Tú, pobre, mi pobre.Con el fresco aguacero fíltrate en la </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7820860369061388898'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7820860369061388898'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/06/laissons-les-jolies-femmes-aux-hommes.html' title='Laissons les jolies femmes aux hommes sans imagination !'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_AFbIbfBlCF4/SEI1rkXz_cI/AAAAAAAAAPI/6uBsU1x3_64/s72-c/dali_voltaire.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-420985236399418969</id><published>2008-06-01T07:21:00.004+02:00</published><updated>2008-06-01T07:31:48.596+02:00</updated><title type='text'>Siempre son los demás los que se mueren.</title><summary type='text'>Death Crowning Innocence, George Frederick Watts, 1896MamanHuit jours déjà que je ne pense qu’à maman,tout le temps, en m’arrêtant,son panier grinçant dans les bras,elle montait au grenier,montait de vifs pas, décidés.A l’époque, l’homme sincère qui j’étais,je hurlais, je tapais du piedqu’elle laisse le linge lavé à d’autres,qu’elle me prenne moi dans ses bras et,au grenier, qu’elle me </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/420985236399418969'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/420985236399418969'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/06/maman-huit-jours-dj-que-je-ne-pense-qu.html' title='Siempre son los demás los que se mueren.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_AFbIbfBlCF4/SEIz-UXz_bI/AAAAAAAAAPA/pWGcUhRzWks/s72-c/death+....jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-204388862113838143</id><published>2008-05-29T11:02:00.002+02:00</published><updated>2008-06-05T22:04:35.285+02:00</updated><title type='text'>Certainly there are good and bad times, but our mood changes more often than our fortune.</title><summary type='text'>Dieric Bouts, Der Abendmahlsaltar, 1464.New typologies were envisioned as the basis for more evective prescription of the available treatments. Altered mood states were now labeled as vital or personal, primary or secondary, atypical, vegetative, endogenomorphic depressions and anxious thymopathy.In an unusual study, Klein and Fink (1962a, 1962b) randomly assigned patients of varying diagnoses (</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/204388862113838143'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/204388862113838143'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/05/new-typologies-were-envisioned-as-basis.html' title='Certainly there are good and bad times, but our mood changes more often than our fortune.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_AFbIbfBlCF4/SEhGE0Xz_sI/AAAAAAAAARI/i5HD9MxPhKc/s72-c/Dieric_Bouts_009.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-2427701034812867623</id><published>2008-05-28T07:48:00.002+02:00</published><updated>2008-05-29T11:01:58.141+02:00</updated><title type='text'>Schizophrenia may be a necessary consequence of literacy.</title><summary type='text'>Hieronymus Bosch , Rechter Innenflügel, 1504.Meyer stated that depressive mood disorders were individualized ‘‘reactions’’:The conditions which we meet in psychopathology are more or less abnormal reaction types, which we want to learn to distinguish from one another, trace to the situation or condition under which they arise, and study for their modifiability.Meyer’s formulations were adopted in</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/2427701034812867623'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/2427701034812867623'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/05/meyer-stated-that-depressive-mood.html' title='Schizophrenia may be a necessary consequence of literacy.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_AFbIbfBlCF4/SDz0Y0Xz_MI/AAAAAAAAANI/aIZASY2BQ7U/s72-c/Garten_der_L%25C3%25BCste_H%25C3%25B6lle.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-7439687663493020589</id><published>2008-05-22T23:31:00.001+02:00</published><updated>2008-05-22T23:37:11.526+02:00</updated><title type='text'></title><summary type='text'>A contemporary, Denis Hill (1968), found no merit in the subdivisions of the mood disorders, concluding that the treatments defined the condition:It is a striking fact that the antidepressant drugs and ECT have their profoundest therapeutic eVect when the primary functional changes of depression are most in evidence and that, given these, the secondary symptoms disappear as the primary functional</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7439687663493020589'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7439687663493020589'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/05/contemporary-denis-hill-1968-found-no.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-3706456739407031962</id><published>2008-05-21T14:55:00.003+02:00</published><updated>2008-05-21T15:05:28.712+02:00</updated><title type='text'>The company of fools may first make us smile, but in the end we always feel melancholy.</title><summary type='text'> Pierre-Narcisse Guérin, Le Retour de Marcus Sextus, 1799. The concept of melancholia was brought to life in the description.Melancholia is a depressed state [meaning subdued, not a diagnostic category] of the entirepersonality reaction. Depression of spirits, psychomotor retardation and general torpidity of mind and body are its essential features. Invariably associated with these are insomnia, </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/3706456739407031962'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/3706456739407031962'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/05/company-of-fools-may-first-make-us.html' title='The company of fools may first make us smile, but in the end we always feel melancholy.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_AFbIbfBlCF4/SDQc9wnvAeI/AAAAAAAAALI/RM0TZ7QezZw/s72-c/Guerin+Le+retour+de+marcus+sextus+1799.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-4367335124871063250</id><published>2008-05-20T07:51:00.003+02:00</published><updated>2008-05-20T07:58:04.710+02:00</updated><title type='text'>La senda de la virtud es muy estrecha y el camino del vicio, ancho y espacioso.</title><summary type='text'>Henri-Émile-Benoît Matisse, La Musique, 1907.For mania, Kraepelin described a progression in severity from hypomania to mania to delirious mania. For melancholia, he described a parallel progression of simple retardation, retardation with delusions and hallucinations, and stuporous conditions.Various attempts to distinguish depressive mood disorders were made. One attempt divided depressed </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/4367335124871063250'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/4367335124871063250'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/05/la-senda-de-la-virtud-es-muy-estrecha-y.html' title='La senda de la virtud es muy estrecha y el camino del vicio, ancho y espacioso.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_AFbIbfBlCF4/SDJntwnvAdI/AAAAAAAAALA/RDvLPgdnqP8/s72-c/Matisse+La+musique+1908.bmp' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-3482204167157759214</id><published>2008-05-16T07:54:00.006+02:00</published><updated>2008-05-20T07:49:53.872+02:00</updated><title type='text'>To love is to risk not being loved in return. To hope is to risk pain, but risk must be taken because the greatest hazard in life is to risk nothing.</title><summary type='text'>Claude Monet, La Promenade, 1875.The lack of a coherent formulation of psychiatric disorders encouraged two camps to develop, one dividing the behaviors into many conditions and the other oVering a single disorder of the brain as the basis for many forms of psychiatric illness.The single cause for psychiatric disorders was formulated when anatomic studies showed diverse forms of mental illness to</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/3482204167157759214'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/3482204167157759214'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/05/to-love-is-to-risk-not-being-loved-in.html' title='To love is to risk not being loved in return. To hope is to risk pain, but risk must be taken because the greatest hazard in life is to risk nothing.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_AFbIbfBlCF4/SC0jQgnvAJI/AAAAAAAAAIg/fwtjOkp5X8A/s72-c/Claude+Monet+la+Promenade.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-6680955806566778996</id><published>2008-05-15T18:45:00.003+02:00</published><updated>2008-05-15T19:08:39.158+02:00</updated><title type='text'>Une demi-heure de méditation est essentielle sauf quand on est très occupé. Alors une heure est nécessaire.</title><summary type='text'>Dante Gabriel Rossetti, Beata Beatrix, 1863.In the nineteenth century melancholia was recognized as a core illness among many forms of insanity. One writer defined six classes of insanity: melancholia, mania, fatuitas, stupiditas, amentia, and oblivio’’. Another oVered five ‘‘species’’ of insanity: melancholia, mania with and without delirium, dementia, and idiocy. Yet another author divided </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/6680955806566778996'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/6680955806566778996'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/05/in-nineteenth-century-melancholia-was.html' title='Une demi-heure de méditation est essentielle sauf quand on est très occupé. Alors une heure est nécessaire.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_AFbIbfBlCF4/SCxtewnvAII/AAAAAAAAAIY/nGMMTgsz3yg/s72-c/beatrix.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-1933813960973290891</id><published>2008-05-14T19:32:00.003+02:00</published><updated>2008-05-14T19:42:37.674+02:00</updated><title type='text'>If I must die, I will encounter darkness like a bride, and hug it in my arms.</title><summary type='text'>John Duncan, The coming of the bride, 1918. In western Europe from the tenth to the eighteenth centuries, mental disorders were often ascribed to demons and witchcraft.11 Relief was theorized to come with exorcism. The medical teachings that psychiatric disorders resulted from aberrations in the brain were oYcially denied. Many physicians, however, continued to recognize melancholia as disease. </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1933813960973290891'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1933813960973290891'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/05/if-i-must-die-i-will-encounter-darkness.html' title='If I must die, I will encounter darkness like a bride, and hug it in my arms.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_AFbIbfBlCF4/SCskHAnvAEI/AAAAAAAAAH8/PkiHIituhaw/s72-c/The+coming+of+the+bride.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-2662346779888062498</id><published>2008-05-14T19:21:00.005+02:00</published><updated>2008-05-14T19:32:47.117+02:00</updated><title type='text'>Le mal n'est pas à notre porte, il rôde en chacun de nous, parfois habilement déguisé par l'idéalisme et la piété religieuse.</title><summary type='text'>Hieronymus Bosch, Ecce Homo, 1490.Melancholia is a concept of depressive illness with an extensive literature and a detailed history. Its recognition as a form of ‘‘madness’’ with ‘‘bodily causes’’ has been consistent for 3000 years. Except for two periods in western history – the Middle Ages, when church teachings dominated western thought, and again in the twentieth century, particularly in the</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/2662346779888062498'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/2662346779888062498'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/05/melancholia-is-concept-of-depressive.html' title='Le mal n&apos;est pas à notre porte, il rôde en chacun de nous, parfois habilement déguisé par l&apos;idéalisme et la piété religieuse.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_AFbIbfBlCF4/SCshRwnvADI/AAAAAAAAAH0/5LrbHuzjecU/s72-c/bosch_Hieronymus+ecce+homo.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-2726129107809309042</id><published>2008-05-13T20:29:00.003+02:00</published><updated>2008-05-14T19:31:35.400+02:00</updated><title type='text'>I live with the people I create and it has always made my essential loneliness less keen</title><summary type='text'>Anne-Louis Girodet de Roucy, Le sommeil d'Endymion, 1791.Neurosyphilis is an interesting neuropsychiatric disorder that oVered a potpourri of images and therapies. So varied were its presentations that clinicians dubbed it the ‘‘great imitator.’’ Descriptions filled volumes, but once the common cause was identified and a laboratory test developed, the variations assumed less significance.An </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/2726129107809309042'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/2726129107809309042'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/05/i-live-with-people-i-create-and-it-has.html' title='I live with the people I create and it has always made my essential loneliness less keen'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_AFbIbfBlCF4/SCneVwnvACI/AAAAAAAAAHs/IkG-y0QcR14/s72-c/Girodet_-_Sommeil_Endymion.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-1545837812366849224</id><published>2008-05-13T20:03:00.003+02:00</published><updated>2008-05-13T20:16:16.810+02:00</updated><title type='text'>La mort ne vous concerne ni mort ni vif : vif parce que vous êtes ; mort parce que vous n'êtes plus.</title><summary type='text'>Anne-Louis Girodet de Roussy-Trioson. Funéirailles d'Atala. 1808 Depression, most people know, used to be termed ‘‘melancholia’’. . . Melancholia would still appear to be a far more apt and evocative word for the blacker forms of the disorder, but it was usurped by a noun with a bland tonality and lacking any magisterial presence, used indiVerently to describe an economic decline or a rut in the </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1545837812366849224'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1545837812366849224'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/05/la-mort-ne-vous-concerne-ni-mort-ni-vif.html' title='La mort ne vous concerne ni mort ni vif : vif parce que vous êtes ; mort parce que vous n&apos;êtes plus.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_AFbIbfBlCF4/SCnaewnvABI/AAAAAAAAAHk/LyeAhU0phuY/s72-c/girodet6.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-8436076716662328881</id><published>2008-05-12T18:10:00.003+02:00</published><updated>2008-05-12T18:24:42.243+02:00</updated><title type='text'>Ce n'est pas l'amour qu'il fallait peindre aveugle, c'est l'amour-propre.</title><summary type='text'>William Bouguereau , Après le bain, 1875.Amo o teu túmido candor de astroa tua pura integridade delicadaa tua permanente adolescência de segredoa tua fragilidade acesa sempre altivaPor ti eu sou a leve segurança de um peitoque pulsa e canta a sua chamaque se levanta e inclina ao teu hálito de pássaroou à chuva das tuas pétalas de prataSe guardo algum tesouro não o prendoporque quero oferecer-te a</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/8436076716662328881'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/8436076716662328881'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/05/ce-nest-pas-lamour-quil-fallait-peindre.html' title='Ce n&apos;est pas l&apos;amour qu&apos;il fallait peindre aveugle, c&apos;est l&apos;amour-propre.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_AFbIbfBlCF4/SChvCgnvAAI/AAAAAAAAAHc/OWG6CNxM9pY/s72-c/19915823.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-1245582854491704132</id><published>2008-05-06T14:32:00.003+02:00</published><updated>2008-05-06T14:56:22.928+02:00</updated><title type='text'></title><summary type='text'>Dans une étude de la médecine dans le monde occidental, on se tourne inévitablement vers la ville de Bologne, en Italie. C’est dans cette cité que l’ ars medendi et curandi s’est séparé, en tant que discipline, de la théologie, de la philosophie et du droit. C’est là que, par le choix d’une petite partie des écrits de Galien, le corps de la médecine a établi sa souveraineté sur un territoire </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1245582854491704132'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1245582854491704132'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/05/quand-on-considre-en-historien-notre.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-166370086835042612</id><published>2008-05-03T21:46:00.000+02:00</published><updated>2008-05-03T21:47:33.941+02:00</updated><title type='text'></title><summary type='text'></summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/166370086835042612'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/166370086835042612'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/05/blog-post.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_AFbIbfBlCF4/SBzBT5gmAFI/AAAAAAAAAHU/d3x8jLCV2Pg/s72-c/melancho2.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-2369974298271671092</id><published>2008-05-03T21:13:00.002+02:00</published><updated>2008-05-03T21:15:40.714+02:00</updated><title type='text'></title><summary type='text'>Comment parler de la mélancolie dans l’art sans partir du geste caractéristique de l’iconographie de la mélancolie : la tête appuyée sur une main (voire les deux) pour contrebalancer sa propre lourdeur? Dans le mot allemand Schwermut, tout est dit : c’est une humeur lourde, pesante. Et nous voilà tout de suite au cœur de l’histoire de la mélancolie : Saturne-Chronos, le dieu de la mélancolie a </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/2369974298271671092'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/2369974298271671092'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/05/comment-parler-de-la-mlancolie-dans.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-8582520856784309510</id><published>2008-05-03T20:56:00.003+02:00</published><updated>2008-05-04T12:37:10.340+02:00</updated><title type='text'></title><summary type='text'>Pôle céleste En astronomie, les deux pôles célestes sont les points de la sphère céleste vers lesquels pointe l'axe de rotation de la Terre et autour desquels le ciel semble donc tourner. Ces pôles célestes sont des points de référence importants pour les astronomes et les géographes et la détermination de leur position sur la voûte céleste est fondamentale. L'axe de rotation de la Terre n'est </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/8582520856784309510'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/8582520856784309510'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/05/ple-cleste-en-astronomie-les-deux-ples.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_AFbIbfBlCF4/SBy10ZgmAEI/AAAAAAAAAHM/xFWsX5k4Gqo/s72-c/Ursamajor-guide.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-2020221894412173647</id><published>2008-05-03T00:51:00.001+02:00</published><updated>2008-05-03T20:49:10.470+02:00</updated><title type='text'></title><summary type='text'>The Zodiac derives from the yearly path Sol (our sun) seemingly takes across particular constellations, which is why there are twelve astrological signs. Or, at least, there were 12... when the Zodiac was created a few thousand years ago. In the solar cycle, there are 12 months, but the lunar cycle has 13. The Mayans recognized 13 star signs. 13 was significant in ancient Celtic society, </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/2020221894412173647'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/2020221894412173647'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/05/zodiac-derives-from-yearly-path-sol-our.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-603539253962762543</id><published>2008-04-14T22:11:00.003+02:00</published><updated>2008-04-14T22:24:45.840+02:00</updated><title type='text'></title><summary type='text'>Ophiuchus (Οφιούχος)α Oph : رأس الحية ( The Head of the Serpent-charmer).η Oph :سابقOphiuchus was formerly referred to as Serpentarius (/ˌsɚpənˈtɛəriəs/), the former originating in Greek and the latter in Latin, both meaning "serpent-holder". It is a large constellation located around the celestial equator between Aquila, Serpens and Hercules, northwest of the center of the Milky Way. The </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/603539253962762543'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/603539253962762543'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/04/ophiuchus-oph-head-of-serpent-charmer.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_AFbIbfBlCF4/SAO9csqzmCI/AAAAAAAAAG8/6zSmCX10PCE/s72-c/Kepler_Drawing_of_SN_1604.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-5058605611102713797</id><published>2008-04-14T17:27:00.005+02:00</published><updated>2008-04-14T22:25:30.170+02:00</updated><title type='text'></title><summary type='text'>Like all other calendars, the Babylonian calendar had twelve lunar months (about 354 days) and a problem to make these fit the solar year (about 365 days). In the western calendar, this is solved by cutting the tie between the lunar phase and the calendar month; the Babylonians found a different solution by adding leap months. Originally, the king decided which month had to be added ("</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/5058605611102713797'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/5058605611102713797'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/04/like-all-other-calendars-babylonian.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_AFbIbfBlCF4/SAN4wcqzmAI/AAAAAAAAAGs/9QDqAXSZqRY/s72-c/The_Anatomy_of_Melancholy_by_Robert_Burton_frontispiece_1638_edition.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-7564642259752877851</id><published>2008-04-12T15:45:00.007+02:00</published><updated>2008-04-14T22:44:09.773+02:00</updated><title type='text'></title><summary type='text'> La Terre est toujours immobile au centre du système solairemais les planètes tournent autour du SoleilMouvement apparent des planètesPendant la majeure partie de son histoire, de l'antiquité jusqu'au XIXe siècle, les astronomes ont été limités à l'étude du mouvement apparent des planètes dans le ciel. Avant d'aborder l'histoire de l'astronomie, il n'est donc pas inutile de brièvement rappeler </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7564642259752877851'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7564642259752877851'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/04/le-systme-go-hliocentrique-de-tycho.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_AFbIbfBlCF4/SAPBPcqzmDI/AAAAAAAAAHE/UFJ2KWvvT98/s72-c/822.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-843157317190291107</id><published>2008-04-08T20:16:00.008+02:00</published><updated>2008-04-08T22:31:27.147+02:00</updated><title type='text'></title><summary type='text'>Coordonnées polaires , coordonnées paramétriques Dans un repère orthonormé (Ox,Oy) direct, orienté par le sens trigonométrique usuel (sens inverse des aiguilles d'une horloge ou d'une montre... à aiguilles), un point M(x,y) (coordonnées cartésiennes) peut être repéré par ses coordonnées polaires : le pôle est l'origine O, Ox est l'axe polaire. Soit t = ^(Ox,OM) l'angle de rotation amenant l'axe (</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/843157317190291107'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/843157317190291107'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/04/coordonnes-polaires-coordonnes.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_AFbIbfBlCF4/R_vWEdOvmfI/AAAAAAAAAGU/2i1FYdmaw7w/s72-c/parallaxe.gif' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-4057929444608179574</id><published>2008-04-05T21:33:00.004+02:00</published><updated>2008-04-05T22:26:10.432+02:00</updated><title type='text'></title><summary type='text'>Taurus (Ταύρος) Feminine and negative sign. Earth and fixed sign.From April 20 to May 20. Sidereal from May 15 and June 16.Venus.Pleiades : Πλειάδες  ( Known since antiquity to cultures all around the world) Seven sisters along their parents ( Ἄτλας and Πλειόνη)Alpha tauri : « Aldebaran (Fallen Angel)» الدبرانBeta Tauri : النطحGamma tauri : ΑμβροσιηDelta Tauri : ΕυδωρηApis “ bull god”Sarapis : </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/4057929444608179574'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/4057929444608179574'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/04/taurus-feminine-and-negative-sign.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_AFbIbfBlCF4/R_fdvdOvmeI/AAAAAAAAAGM/ZjpL0J8CPJc/s72-c/copper_bg.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-1318883489395570817</id><published>2008-04-02T16:04:00.009+02:00</published><updated>2008-04-02T18:02:34.998+02:00</updated><title type='text'></title><summary type='text'>Virgo Zodiac date :August 22 - September 23True Date : September 16 - October 30Virgo is earthy and represents the sixth sign of the zodiac.feminine, and introvert negative sign.Also amutable sign. Is the second largest constellation after Hydra. She dropped a sheaf of grain, which scattered all along the path she took. This path is now known to the Chinese as the Yellow Road. Virgo is the </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1318883489395570817'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1318883489395570817'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2008/04/virgo-zodiac-date-august-22-september.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_AFbIbfBlCF4/R_OeadOvmcI/AAAAAAAAAF8/42wK0WtH5Wc/s72-c/mercury_mp.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-1111349303538320491</id><published>2006-12-21T15:43:00.000+01:00</published><updated>2006-12-21T15:50:15.930+01:00</updated><title type='text'>Das beste Mittel, jeden Tag gut zu beginnen, ist beim Erwachen daran denken, ob man nicht wenigstens einen Menschen an diesem Tage eine Freude machen.</title><summary type='text'>Egon Schiele, Egon Schiele, 1910.</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1111349303538320491'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1111349303538320491'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/das-beste-mittel-jeden-tag-gut-zu.html' title='Das beste Mittel, jeden Tag gut zu beginnen, ist beim Erwachen daran denken, ob man nicht wenigstens einen Menschen an diesem Tage eine Freude machen.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_AFbIbfBlCF4/RYqenodNqII/AAAAAAAAAFs/3tkcmmAPFWc/s72-c/398px-Egon_Schiele_047.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-8968407279495240512</id><published>2006-12-21T14:50:00.000+01:00</published><updated>2006-12-21T14:53:04.162+01:00</updated><title type='text'>Regieren ist keine Sache für Leute von Charakter und Erziehung.</title><summary type='text'>Weiblicher Akt, Egon Schiele, 1910.</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/8968407279495240512'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/8968407279495240512'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/regieren-ist-keine-sache-fr-leute-von.html' title='Regieren ist keine Sache für Leute von Charakter und Erziehung.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_AFbIbfBlCF4/RYqRQ4dNqHI/AAAAAAAAAFg/Fushe_4ydJM/s72-c/408px-Egon_Schiele_095.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-5154867740816207135</id><published>2006-12-21T14:41:00.000+01:00</published><updated>2006-12-21T14:42:22.199+01:00</updated><title type='text'></title><summary type='text'>Estas cartas son una clara demostración de nuestra hipótesis de que la angustia, la melancolía y el dolor son de algún modo necesarios para el gran acto creador. Estamos seguros de que así como Rilke, casi todos los genios han sufrido tanto de esos períodos de aparente depresión en los que su creatividad se apaga como de esta otra angustia, diferente a la neurótica, que es la que les permite </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/5154867740816207135'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/5154867740816207135'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/estas-cartas-son-una-clara-demostracin.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-1939058716392696880</id><published>2006-12-21T14:33:00.000+01:00</published><updated>2006-12-21T14:34:57.761+01:00</updated><title type='text'></title><summary type='text'>El poeta reconoce aquí claramente su enfermedad , o al menos el estado de permanente malestar, angustia e incapacidad en que se encuentra, pero al mismo tiempo espera salir de él y recuperar el flujo creativo; aún más, él admira esta extraña conformación de su naturaleza que renace una y otra vez desde el abismo de la angustia y la melancolía, "avanzando de salvación en salvación". El mismo </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1939058716392696880'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1939058716392696880'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/el-poeta-reconoce-aqu-claramente-su.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-7772277481459348991</id><published>2006-12-21T14:28:00.000+01:00</published><updated>2006-12-21T14:35:27.753+01:00</updated><title type='text'></title><summary type='text'>Angustia, melancolía y creatividada ( Continuación)Este sufrimiento del alma y del cuerpo, que no tenía ninguna explicación desde el punto de vista de la medicina somática (los primeros síntomas de la leucemia aparecieron diez años más tarde), estos estados de angustia y depresión, con la improductividad consecuente y que lo llevan hasta el extremo de la desesperación en el momento en que insinúa</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7772277481459348991'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7772277481459348991'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/angustia-melancola-y-creatividada.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-8277785779189382223</id><published>2006-12-20T21:12:00.000+01:00</published><updated>2006-12-20T21:13:40.684+01:00</updated><title type='text'></title><summary type='text'>Ritratto di giovane (La Fornarina), Raffaello Sanzio, 1518.</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/8277785779189382223'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/8277785779189382223'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/ritratto-di-giovane-la-fornarina.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_AFbIbfBlCF4/RYmZRodNqGI/AAAAAAAAAFU/SOrW90HjE8g/s72-c/05930630.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-2471113170312266752</id><published>2006-12-20T21:05:00.000+01:00</published><updated>2006-12-20T21:11:29.200+01:00</updated><title type='text'></title><summary type='text'>Venus and Adonis (9/10)William Shakespeare (1593) More I could tell, but more I dare not say;The text is old, the orator too green.Therefore, in sadness, now I will away;My face is full of shame, my heart of teen:Mine ears, that to your wanton talk attended,Do burn themselves for having so offended.'With this, he breaketh from the sweet embrace,Of those fair arms which bound him to her breast,And</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/2471113170312266752'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/2471113170312266752'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/venus-and-adonis-910-william.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-7759575415418327066</id><published>2006-12-20T20:56:00.000+01:00</published><updated>2006-12-20T21:04:06.005+01:00</updated><title type='text'>Sans les autres, personne ne serait autre chose que rien.</title><summary type='text'>Arrangement in Grey and Black: Portrait of the Painter's Mother , James Abbott McNeill Whistler, 1871.L'absurde :(à la limite du tragique, peut-être même s'en distinguant) C'est autour des méfaits de cette même vérité (le nœud mortel de la connaissance mélancolique réside dans l'accès à une vérité trop précoce) que nous verrons la mélancolie présider à l'angoisse existentielle, traduite cette </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7759575415418327066'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7759575415418327066'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/sans-les-autres-personne-ne-serait.html' title='Sans les autres, personne ne serait autre chose que rien.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_AFbIbfBlCF4/RYmVyodNqEI/AAAAAAAAAE0/LGtK3b5v_tw/s72-c/mother.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-4871038915793710658</id><published>2006-12-20T20:42:00.000+01:00</published><updated>2006-12-20T20:54:57.657+01:00</updated><title type='text'>El arte de la pintura consiste en aclarar y oscurecer los tonos sin decorarlos.</title><summary type='text'>Vuelo de Brujas, Francisco José de Goya y Lucientes, 1798. El mundo de la brujería estaba muy en boga en los años finales del siglo XVIII. A pesar de los desvelos de la Ilustración por eliminar la superstición de la sociedad española, lo demoniaco atraía a buena parte de los españoles sin distinción de clase social. Goya no es ajeno a este tema, ya sea para criticarlo o para reflejar sus </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/4871038915793710658'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/4871038915793710658'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/vuelo-de-brujas-francisco-jos-de-goya-y.html' title='El arte de la pintura consiste en aclarar y oscurecer los tonos sin decorarlos.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_AFbIbfBlCF4/RYmUUodNqDI/AAAAAAAAAEo/6l7MTlRNeAE/s72-c/img20060429.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-1264227443496780126</id><published>2006-12-07T09:36:00.000+01:00</published><updated>2006-12-07T10:06:33.258+01:00</updated><title type='text'></title><summary type='text'>Apolo y Marsias, El Españoleto (José o Jusepe Ribera), 1637.Marsias era un joven frigio que desafió a Apolo a un concurso de flauta. Las Musas declararon vencedor a Apolo y el dios, para castigar a Marsias por su soberbia y audacia, lo ató a un árbol y lo desolló vivo. Ribera repitió el tema en varias ocasiones, eligiendo el momento del castigo. Marsias aparece en un pronunciado escorzo -que </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1264227443496780126'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1264227443496780126'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/apolo-y-marsias-el-espaoleto-jos-o.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_AFbIbfBlCF4/RXfV7YiJy5I/AAAAAAAAAEc/Ni8RSmeExZk/s72-c/ESA10813.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-5507220666530371135</id><published>2006-12-07T09:26:00.000+01:00</published><updated>2006-12-07T09:32:48.429+01:00</updated><title type='text'></title><summary type='text'>San Pablo, Diego Rodríguez de Silva Velázquez, 1618.Ésta es una excelente muestra de la etapa juvenil de Velázquez, influida profundamente por Caravaggio. El sevillano pone de manifiesto su dominio del retrato al dar la imagen de un hombre de carne y hueso, captado directamente del natural y envuelto en una amplísima túnica en la que destacan los pliegues casi escultóricos. La figura del santo </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/5507220666530371135'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/5507220666530371135'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/san-pablo-diego-rodrguez-de-silva.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_AFbIbfBlCF4/RXfQWYiJy4I/AAAAAAAAAEQ/tJSHG3jokX0/s72-c/VES00206.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-7030064016253012733</id><published>2006-12-07T08:55:00.000+01:00</published><updated>2006-12-07T09:22:24.468+01:00</updated><title type='text'></title><summary type='text'>Cabeza de apóstol, Diego Rodríguez de Silva Velázquez, 1618-23.La similitud entre esta cabeza y el San Pablo hacen pensar que estamos ante un trabajo preparatorio, a pesar de estar en diferentes posturas. Velázquez ha estudiado perfectamente los rasgos de un anciano de la calle, destacando las bolsas de sus ojos y las arrugas de la frente, incluso la suciedad del rostro, eliminando todo tipo de </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7030064016253012733'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7030064016253012733'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/cabeza-de-apstol-diego-rodrguez-de.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_AFbIbfBlCF4/RXfOjIiJy2I/AAAAAAAAADw/l6qleUdVOYM/s72-c/VEC03440.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-1484023807957290979</id><published>2006-12-07T08:48:00.000+01:00</published><updated>2006-12-07T08:54:14.100+01:00</updated><title type='text'></title><summary type='text'>Die Nachtwache, Rembrandt Harmenszoon van Rijn, 1642.Das Gemälde ist sehr dunkel, manche Details im Hintergrund lassen sich kaum noch ausmachen. Ob es im Verlauf der Zeit natürlich nachgedunkelt ist oder Restauratoren im 17. Jahrhundert, wie sie es gern taten, mit einem gelb-braunen Firnis dem Bild zu einem sogenannten „Galerie-Ton“ verhalfen, ist nicht geklärt. Im Mittelpunkt des Bildes steht </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1484023807957290979'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1484023807957290979'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/die-nachtwache-rembrandt-harmenszoon.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_AFbIbfBlCF4/RXfHV4iJy1I/AAAAAAAAADk/RlSSL3-ahV0/s72-c/RembrandtNightwatch.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-3684140555838581365</id><published>2006-12-07T08:42:00.000+01:00</published><updated>2006-12-07T08:47:00.523+01:00</updated><title type='text'></title><summary type='text'>Vieja y Monje, José de Goya y Lucientes, 1824. Los espectaculares rostros de estos dos personajes ponen esta escena en sintonía con las Pinturas Negras realizadas por Goya unos años antes de esta serie de miniaturas en marfil.Algo similar ocurre con Niños mirando un libro. La asustada mirada de la anciana podría ser una alusión al mundo de la superstición que también aparece en los Caprichos. </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/3684140555838581365'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/3684140555838581365'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/vieja-y-monje-jos-de-goya-y-lucientes.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_AFbIbfBlCF4/RXfGEoiJy0I/AAAAAAAAADY/CrmE2fRch7k/s72-c/GOM02718.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-2989621770611942013</id><published>2006-12-06T21:38:00.000+01:00</published><updated>2006-12-06T21:40:05.430+01:00</updated><title type='text'></title><summary type='text'>The RavenONCE upon a midnight dreary, while I pondered weak and weary,Over many a quaint and curious volume of forgotten lore,While I nodded, nearly napping, suddenly there came a tapping,As of some one gently rapping, rapping at my chamber door."'Tis some visitor," I muttered, "tapping at my chamber door --Only this, and nothing more."Ah, distinctly I remember it was in the bleak December,And </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/2989621770611942013'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/2989621770611942013'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/raven-o-nce-upon-midnight-dreary-while.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-6492141992736988392</id><published>2006-12-06T21:33:00.000+01:00</published><updated>2006-12-06T21:36:29.221+01:00</updated><title type='text'></title><summary type='text'>La genesi della Divina CommediaInfernoI precedenti a cui Dante si ispira per il suo Inferno sono di derivazione sia classica che biblica.Per quanto riguarda i viaggi ultraterreni di tradizione classica, Dante conosceva quelli di Orfeo, di Teseo, di Ercole e di Ulisse, ma fu particolarmente ispirato dal viaggio nell'Ade di Enea, narrato da Virgilio nel VI libro dell'Eneide.Dante conosceva, inoltre</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/6492141992736988392'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/6492141992736988392'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/la-genesi-della-divina-commedia-inferno.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-103575676919821936</id><published>2006-12-06T21:29:00.000+01:00</published><updated>2006-12-06T21:31:47.653+01:00</updated><title type='text'></title><summary type='text'>NevermoreSouvenir, souvenir, que me veux-tu ? L'automneFaisait voler la grive à travers l'air atone,Et le soleil dardait un rayon monotoneSur le bois jaunissant où la bise détone.Nous étions seul à seule et marchions en rêvant,Elle et moi, les cheveux et la pensée au vent.Soudain, tournant vers moi son regard émouvant :"Quel fut ton plus beau jour ?" fit sa voix d'or vivant,Sa voix douce et </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/103575676919821936'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/103575676919821936'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/nevermore-souvenir-souvenir-que-me-veux.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-3837472457875658269</id><published>2006-12-06T21:24:00.000+01:00</published><updated>2006-12-06T21:26:57.672+01:00</updated><title type='text'></title><summary type='text'>Su carta del 14 de Enero de 1912 le describe su estado de alma con las siguientes palabras: "Usted... está enterado de como yo , desde hace dos años, estoy aquí tendido y no hago nada, como si intentara incorporarme agarrándome de uno o de otro que pasa por mi lado y viviendo del tiempo y de la capacidad de escuchar de aquellos a los que induzco a permanecer a mi lado.Es propio de este estado el </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/3837472457875658269'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/3837472457875658269'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/su-carta-del-14-de-enero-de-1912-le.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-2699111683149985502</id><published>2006-12-06T21:19:00.000+01:00</published><updated>2006-12-06T21:24:18.641+01:00</updated><title type='text'></title><summary type='text'>Rilke murió de una leucemia en Diciembre de 1926. El empeoramiento de su estado físico, que lo llevó a la muerte, se produjo a raíz de haberse pinchado con la espina de una rosa mientras cuidaba el jardín del castillo Muzot, en Suiza, donde vivió retirado los últimos años de su vida. Sin duda que su muerte fue una muerte poética y en ese sentido, una "muerte propia", ésa que debe calzarle a uno "</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/2699111683149985502'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/2699111683149985502'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/rilke-muri-de-una-leucemia-en-diciembre.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-1876807190384408578</id><published>2006-12-05T21:05:00.000+01:00</published><updated>2006-12-05T21:06:55.529+01:00</updated><title type='text'></title><summary type='text'>Symphony in White, No. 1: The White Girl, James McNeill Whistler, 1862.</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1876807190384408578'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1876807190384408578'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/symphony-in-white-no.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_AFbIbfBlCF4/RXXROa5DpxI/AAAAAAAAADM/8G9OFaBgc6I/s72-c/whi3_50k.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-1870998185464700200</id><published>2006-12-05T21:04:00.000+01:00</published><updated>2006-12-05T21:05:44.380+01:00</updated><title type='text'></title><summary type='text'>Nocturne in Black and Gold: The Falling Rocket, James McNeill Whistler, 1875.</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1870998185464700200'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/1870998185464700200'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/nocturne-in-black-and-gold-falling.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_AFbIbfBlCF4/RXXQ4a5DpwI/AAAAAAAAADA/RPfoAPcePkE/s72-c/whi5_50k.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-8629029984635412895</id><published>2006-12-05T20:57:00.000+01:00</published><updated>2006-12-05T21:03:43.399+01:00</updated><title type='text'></title><summary type='text'>At the Piano, James McNeill Whistler, 1859.</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/8629029984635412895'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/8629029984635412895'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/at-piano-james-mcneill-whistler-1859.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_AFbIbfBlCF4/RXXQcq5DpvI/AAAAAAAAAC0/tm_VSvqGwDo/s72-c/whi1_50k.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-7972025509552391487</id><published>2006-12-04T21:58:00.000+01:00</published><updated>2006-12-04T22:01:20.709+01:00</updated><title type='text'></title><summary type='text'>Angelica cura Medoro, Matteo Rossellini, v. 1620.</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7972025509552391487'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7972025509552391487'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/angelica-cura-medoro-matteo-rossellini.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_AFbIbfBlCF4/RXSMN65DptI/AAAAAAAAACg/7RLyrGvCrPk/s72-c/rosselli2.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-8373734163502059088</id><published>2006-12-04T21:47:00.000+01:00</published><updated>2006-12-04T21:48:21.123+01:00</updated><title type='text'></title><summary type='text'>Angelica und Medor, Abraham Bloemaert, 1511.</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/8373734163502059088'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/8373734163502059088'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/angelica-und-medor-abraham-bloemaert.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_AFbIbfBlCF4/RXSJY65DpsI/AAAAAAAAACU/rXT9EZtqQmU/s72-c/Bloemaert.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-9154233526042429541</id><published>2006-12-04T21:41:00.000+01:00</published><updated>2006-12-04T21:42:33.860+01:00</updated><title type='text'></title><summary type='text'>Angélique et Médor, Jacques Blanchard, 1634.</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/9154233526042429541'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/9154233526042429541'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/anglique-et-mdor-jacques-blanchard-1634.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_AFbIbfBlCF4/RXSIF65DprI/AAAAAAAAACI/j6nP3xnRVfU/s72-c/AngeliqueetMedor.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-7987144821944430093</id><published>2006-12-04T21:36:00.000+01:00</published><updated>2006-12-04T21:38:34.034+01:00</updated><title type='text'></title><summary type='text'>Pâris et Hélène, Jacques-Louis David, 1786.</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7987144821944430093'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7987144821944430093'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/pris-et-hlne-jacques-louis-david-1786.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_AFbIbfBlCF4/RXSG_a5DpqI/AAAAAAAAAB8/Zeh7ZJlElYw/s72-c/David_Paris_Helene.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-2756736185169878208</id><published>2006-12-04T21:30:00.000+01:00</published><updated>2006-12-04T21:36:25.750+01:00</updated><title type='text'></title><summary type='text'>L'Amour et Psyché, Jacques-Louis David, 1817.</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/2756736185169878208'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/2756736185169878208'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/lamour-et-psych-jacques-louis-david.html' title=''/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_AFbIbfBlCF4/RXSGea5DppI/AAAAAAAAABw/AAO6T4NfdP8/s72-c/d-cupid.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-8828793886753778699</id><published>2006-12-04T21:10:00.000+01:00</published><updated>2006-12-04T21:18:39.908+01:00</updated><title type='text'>La pittura trasforma lo spazio in tempo, la musica il tempo in spazio.</title><summary type='text'>Orpheus vertraut auf die Hilfe der Unterweltsgotter, Pieter Paul Rubens, 1635.Primi PoemettiI due fanciulli - I due orfani"I due orfani"IFratello, ti do noia ora, se parlo?»«Parla: non posso prender sonno». «Io sentorodere, appena...» «Sarà forse un tarlo...»«Fratello, l'hai sentito ora un lamentolungo, nel buio?» «Sarà forse un cane...»«C'è gente all'uscio...» «Sarà forse il vento...»«Odo due </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/8828793886753778699'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/8828793886753778699'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/la-pittura-trasforma-lo-spazio-in-tempo.html' title='La pittura trasforma lo spazio in tempo, la musica il tempo in spazio.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_AFbIbfBlCF4/RXSBs65DpoI/AAAAAAAAABk/e5cEOP5h8BE/s72-c/orpheo22-2.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-7292046861800837137</id><published>2006-12-04T08:17:00.001+01:00</published><updated>2006-12-04T21:00:33.339+01:00</updated><title type='text'>La giustizia non è ardore giovanile e decisione energica e impetuosa: giustizia è malinconia.</title><summary type='text'>L'origine della Via Lattea, Jacopo Robusti detto Tintoretto, 1575.Tachicardia, sudorazione improvvisa, tremore, sensazione di soffocamento, dolore al petto, nausea, paura di morire o di impazzire, brividi o vampate di calore, sono solo alcuni dei sintomi che caratterizzano un attacco di panico.Chi l’ha provato la descrive come un esperienza terribile, spesso improvvisa ed inaspettata, almeno la </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7292046861800837137'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/7292046861800837137'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/la-giustizia-non-ardore-giovanile-e.html' title='La giustizia non è ardore giovanile e decisione energica e impetuosa: giustizia è malinconia.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_AFbIbfBlCF4/RXR98a5DpnI/AAAAAAAAABU/KgSvwKLaeqE/s72-c/e_tintoretto.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-21441266.post-4303869141143044194</id><published>2006-12-04T08:07:00.002+01:00</published><updated>2006-12-04T08:10:41.458+01:00</updated><title type='text'>Das ganze Glück des Menschen besteht darin, bei anderen Achtung zu genießen.</title><summary type='text'>Adam und Eva, Albrecht Dürer, 1507.Mit den beiden Gemälden von Adam und Eva hat Dürer die ersten lebensgroßen Akte der deutschen Malerei geschaffen. Er hat sich dabei vor allem auf die Proportionen des menschlichen Körpers konzentriert, dessen Größe auf die mit neun multiplizierte Höhe des Kopfes geschätzt wird, während die Größe der Personen auf einem zuvor angefertigten Kupferstich (1504) zu </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/4303869141143044194'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21441266/posts/default/4303869141143044194'/><link rel='alternate' type='text/html' href='http://anatomyof.blogspot.com/2006/12/das-ganze-glck-des-menschen-besteht_04.html' title='Das ganze Glück des Menschen besteht darin, bei anderen Achtung zu genießen.'/><author><name>C.R.</name><uri>http://www.blogger.com/profile/00215506597143649254</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_AFbIbfBlCF4/ScifTJJah3I/AAAAAAAAFPE/MvIKFumxXKU/S220/IMG_0659.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_AFbIbfBlCF4/RXPJVa5DphI/AAAAAAAAAAc/4tuU7tjsxmk/s72-c/adam_eva3.jpg' height='72' width='72'/></entry></feed>
